The Departing Landscape Project
Images ~ Music ~ Text 2007-2010
* Visual Prelude
* Introductory Text
* Portfolio of Links
The Departing Landscape Project consists of a collection of related thematic projects. Following the "Visual Prelude" there is an introductory text about the project as a whole, and then a Portfolio of Links will allow you to see images and texts for each of the individual subgroups also listed here:
The Faint Photographs click here
Portraits Faces & Figure click here
Windswept Landscapes & Memorials click here
Visual Poems (Triadic Memories) click here
The Combines click here
In the Woods click here
The Persephone Series click here
The Abstract Photographs click here
Poetry for The Departing Landscape click here
The Hydrofracking Suite click here
The Faint Photographs click here
Portraits Faces & Figure click here
Windswept Landscapes & Memorials click here
Visual Poems (Triadic Memories) click here
The Combines click here
In the Woods click here
The Persephone Series click here
The Abstract Photographs click here
Poetry for The Departing Landscape click here
The Hydrofracking Suite click here
Faint Photograph, Departing Half Dome 18x26”
Faint Photograph, Departing Hudson River Valley 18x26”
Faint Portrait 18x18”
Faint Figure: Man Walking 18x18”
Portrait/Face 18x18”
Figure with lines 21x21”
Windswept Memorials, Vietnam Veterans Memorial 18x26”
Visual Poems - Triadic Memories #1 15x27”
Abstract Photograph 21x21”
The Departing Landscape 2007-2010
Introduction
The American composer Morton Feldman (1926-1987) wrote:
Decaying sound . . . the departing landscape . . .
expresses where the sound exists in our hearing--
leaving us rather than coming toward us.
This project began as a visual meditation on the decay of sound, especially inspired by the way Feldman uses sound decay in his late piano music. But as I worked on this project I became increasingly aware of local, state, national and global issues involving the decay of the natural world, the decay of our economy and the decay of our political system. The project took on a will of its own and gradually transitioned into being a visual poetic revery about loss and longing; it became a visual expression of grieving for the natural world we once thought we knew and which is now leaving us.
Climate change, melting glaciers, rising sea levels, dissolving coral reefs, poisoned and depleting watersheds, deforestation, disappearing species, ocean dead zones, diminishing ecosystems due to higher temperatures, the increasing concentrations of atmospheric carbon dioxide, extreme weather and war events, numerous forms of social, political, economic & environmental disasters and corruptions . . . are some examples of the decay of our culture and the natural environment. These are symptomatic of the desacralization of the natural world. Visit What is Missing.
I am personally experiencing the threat of an environmentally devastating gas drilling process, horizontal hydraulic fracturing, which threatens at any time soon to come into the area in which I live: New York's Finger Lakes area. If drilling is permitted by the State of New York (and it is being contested by scientists, physicians, environmentalists, economists, and many many residents) large bodies of fresh water will be poisoned, and with that organic farms, wine making vineyards, fishing, many forms of tourism, and entire communities will be destroyed. We will be living in an Industrial Wasteland. Our already fragile ozone layer will be compromised even more. Climate Change will manifest in even more violent forms than Hurricane Sandy.
I have created a website that deals with all this at the NY state level. NoToHdrofracking.blogspot.com It includes a series of five anti-fracking photographic projects entitled The Hydrofracking Suite which I created specifically for it. And I have recently added these two related web pages to this project: The Departing Landscape.
We humans share a fragile, interdependent relationship with the natural world and each other, and yet most evidence suggests we have - to a terrifying degree - separated ourselves from nature, each other and what’s best in ourselves. As a consequence (read Bill McKibben’s book Eaarth and visit his website 350.org) the natural world is in a serious state of decline: Nature is leaving us; we now are living in a "departing landscape."
The Peace of Wild Things
When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.
Wendell Berry
Transcendence, in whatever form it needs to take for each person individually, may be the only true event horizon remaining for us - inhabitants of the departing landscape.
Berry's poem "The Peace of Wild Things" reminds me that I too experience, from time to time, something like peace or freedom not only when I've been immersed in the natural landscape, but also when I've been reading certain poems, viewing a particular picture or listening to a favorite piece of music. In these magical moments it seems as if I'm spirited away from the disintegrating world of pollution, ambitions, greed, entitlements, corruptions . . . and carried to a hidden place of stillness, a secret space of timeless silence. In those special moments I have rested deeply and contentedly in a space full with familiar presence . . . as if a deeper more luminous part of myself had been patiently awaiting my arrival.
There is a stillness
On the tops of the hills.
In the tree tops
You feel
Hardly a breath of air.
The small birds fall silent in the trees.
Simply wait: soon
You too will be silent.
Goethe
*
The Departing Landscape Project consists of nine different but related groups of photographs, a collection of poems, the late piano music of Morton Feldman, and most recently a website about hydraulic fracturing and it's threat of devastation to New York State. The Portfolio of Links below will allow you to visit a collection of images and introductory texts for each of the thematic groups, hear excerpts of Feldman's music, read a collection of carefully chosen poems, and an essay by Clark Lunberry. Welcome to The Departing Landscape.
Portfolio of Links . . . . . . . . . . . .
To listen to excerpts of Morton Feldman's music from Louis Goldstein's most recent recording and to learn more about Feldman click here.
To read an essay by Clark Lunberry entitled Departing Landscapes: Morton Feldman’s String Quartet II and Triadic Memories, click here.
To see my related series of projects consisting of images, texts and poetry for The Departing Landscape Project, click on the highlighted project titles under the images below.
Faint Photographs
Portraits, Faces & Figures
Combines
In the Woods
The Persephone Series
I have been circling for a thousand years
and I still don’t know if I am a falcon,
Or a storm, or a great song
The Hydrofracking Suite
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The two earlier Feldman-inspired projects:
The Garage Series 1999-2001 / 2006
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Other Music-Inspired Projects There have been several other music-inspired photography projects I've created over the years, the earliest dating back to 1976 in homage to an expatriate American jazz musician. To see images and learn more about these other, earlier projects visit Other Music-Inspired Projects.
Related Project: The Hudson River Valley
To go back to the Welcome Page with it's complete list of linked titles for this web site click here.
