11/26/10

Thing Centered Photographs

Thing Centered Photographs
1980’s / 2003 - present




















I have a strong feeling, an intuition that objects (garages, stones, hammers, electric cords... everything, really), though they are silent, are very much alive; they have a consciousness close to ours, and have important things to "say" to us.  Some things seem sad, and I can’t help but wonder if it's in part because we aren’t listening to what they want to tell us.   

A successful thing photograph, then, represents a kind of  “listening.”  In fact the image functions both as a voice for the object and as a means for us to “hear” or to know (in some subtle way) what a thing wants to say.  My photographs honor things and their “silent world” by placing their images at the center of our attention, in the center of the frame, in the heart of the black space, which for me is a metaphor for silence.  

For this digital incarnation of the thing project (and there have been many stages in the project's evolution since the 1980's - see below) the thing image must satisfy one formal restriction: the black space surrounding the edges of the picture's frame must be able to find a way to flow into and merge with some black space within the frame of the thing image.  In some photographs only a small opening in the frame's edge may have been enough to make it qualify for this project; in other cases an entire edge or even all four edges of the frame has been dissolved, leaving the object suspended, alone, in an infinite space of black, silence.




      Thing Centered Photograph, Basketball hoop   18x18"inkjet print







       Thing Centered Photograph, Storm Cloud  18x18"inkjet print



The Thing Centered Photographs project began in the mid-1980’s after I discovered the “thing poems” or “object poems” of  Rilke, Francis Ponge, Robert Bly and other poets in the wonderful book News of the Universe, an anthology of poems edited and introduced by Robert Bly.  His essay that introduces the collection of poems entitled "Object Poems" was especially important to me.  click here  Following is one of the poems that has influenced this project.  



Stone
  
Go inside a stone.
That would be my way.
Let somebody else become a dove
Or gnash with a tiger’s tooth.
I am happy to be a stone.
From the outside the stone is a riddle:
No one knows how to answer it.
Yet within, it must be cool and quiet
Even though a cow steps on it full weight,
Even though a child throws it in a river;
The stone sinks, slow, unperturbed
To the river bottom
Where the fishes come to knock on it
And listen.
I have seen sparks fly out
When two stones are rubbed,
So perhaps it is not dark inside after all;
Perhaps there is a moon shining
From somewhere, as though behind a hill--
Just enough light to make out
The strange writings, the star-charts
On the inner walls.

  
     Charles Simic



   *




       Thing Centered Photograph, Condensation on window, cup  18x18"inkjet print




        Thing Centered Photograph, Roll of toilet paper  18x18"inkjet print




       Thing Centered Photograph, Electric Cord  18x18"inkjet print




       Thing Centered Photograph, Man climbing ladder  18x18"inkjet print




        Thing Centered Photograph, Fish  18x18"inkjet print



       Thing Centered Photograph, Peach on line  18x18"inkjet print




       Thing Centered Photograph, Sunflower  18x18"inkjet print




       Thing Centered Photograph, Sculpture of man's head  18x18"inkjet print



                                                                    
      Thing Centered Photograph, Fishing pole  18x18"inkjet print




      Thing Centered Photograph, Boy with bat and ball  18x18"inkjet print                               




      Thing Centered Photograph, The stairs  18x18"inkjet print



       Thing Centered Photograph, Footprint in coal dust 18x18"inkjet print
                                            





Thing Centered Photograph,  Garage Series (digital version)  Garage Facade in Shadow 18x18"




History of the Thing Photographs  
I made thing photographs throughout 1985-88 with 35mm for the Family Life project.  Visit Family Life  to see the beginnings of the Thing Centered Photographs project.

In 1992-93 I produced a body of work entitled Thing-centered photographs with the 2 ¼ reflex camera on a tripod.  The bigger, square negative allowed a larger sharper print with finer print tonalities, and the square format lent itself toward the centering of objects in the frame. 

Then in 1994 - through 2000 I made thing photographs for the Studies project.  This work included thing images from earlier projects translated into the miniature 3.5x3.5" format, and it included the earliest pictures of garage facades, which eventually became a separate project  in itself.  Visit Garage Series. 

When I transitioned into digital printing in 2003 I began making 18x18 digital print versions of the earlier thing centered and garage photographs, and continued making new thing photographs.  I used many of these digitized thing images as "building blocks" to construct Repetition Triads, Chromatic Fields, Visual Poems and other thematic subgroups for the Triadic Memories: The Repetition Series Photographs project.

The Thing Centered Photographs are very dear to me, very close to my heart.  As I just tried to explain it has had many incarnations within the history of my work and it’s a project that will continue indefinitely.  Bly's essays in News of the Universe,  Rilke’s seeing and thing poems, and Francis Ponge’s thing poems have been a major source of inspiration to me.  Visit Poetry.


Garage Series 
Studies 
Family Life 


To go back to the Welcome Page with it's complete list of linked titles for this web site click here.